2.5: There's nothing wrong with this novella, it's just not for me. IT's pretty clear why-I like more push and pull at the beginning of a relationship. I like one of the characters (at least) guarded or on edge. I like the slow burn. 20 questions in an elevator in romance is just as boring as small talk is to me. The other thing I thought was weird is w/in the switching of 3rd person POV, there was review in events... in a novella
seems like a rip-off.
The moment the lights came on, I enjoyed the book more. I don't know why. Maybe because there was more tension and uncertainty between the characters. Unfortunately, that lasted about 10 minutes of reading.
I didn't dislike the author, it was just the format that dampened my enjoyment.
Oh here, I'll have more space.
Uh-oh. I'm annoyed. I'm not a Shakespearean scholar or anything (and even if I were)...and even still: art and interpretation and all that.
But Midsummer is one of my favorite, so to me the author starting with
love looks not with the eyes,
but with the mind
and therefore is winged cupid
for a likely they-fall-in-love having never seen one another irks...
Using this in this scenario is wildly out of context, which is fine, we do that all the time, right? But I think if you set the stage your novella with it maybe I get a little snotty and say that quite doesn't mean what you think it means. It doesn't equate to "love is blind" it equates to love makes no sense and "cupid" is a dipshit(yeah, I said it) and therefore who we chose ends up to largely irrational.
Not to mention, kiddos, the hero's seen the heroine. So, ya know does this really fit regardless. But maybe this is me leaping to conclusions.